Jellybean Wotupski!?! reissue update #2

 

Gold Legion have contacted me again with an update on the mis-pressed re-issue of Jellybean’s Wotupski!?!, featuring Madonna’s Sidewalk Talk:

“Just wanted you to know we have the new pressing of the Jellybean Wotupski!?! CD with the correct bonus tracks today. Everyone who already has a copy will be sent a CD alone to replace the incorrect pressing. Anyone who is still missing the item will be mailed out now. As you already know, we stopped the shipments once we learned about the issue with the bonus tracks.”

If you haven’t yet ordered your copy of Wotupski!?! you can still do so at http://www.goldlegion.com/

Jellybean Wotupski!?! reissue update

Gold Legion have contacted me to update me on the mis-pressed re-issue of Jellybean’s Wotupski!?!, featuring Madonna’s Sidewalk Talk:

“We have corrected the pressing error of the bonus tracks on Jellybean Wotupski!?! We expect the new pressing to be in on 26 August. We will then go ahead and mail out a replacement CD to all orders that have been purchased and mailed out from our site. The replacement copy will be the disc alone in a paper sleeve, as the artwork is correct. If anyone purchased multiple copies, they will get replacements for each copy purchased. Any new orders will be shipped once the new pressing is in stock. If you have any questions or concerns about this, please contact Gold Legion at orders@goldlegion.com. We apologize for the inconvenience and will take care of this as quickly as possible.”

If you haven’t yet ordered your copy of Wotupski!?! you can still do so at http://www.goldlegion.com/.  

the sidewalk talk on Jellybean's Wotuspki!?! reissue

*** UPDATE 8 Aug ***

Thanks to those who have left feedback about the Wotupski!?! reissue CD, I have listened to the CD and can confirm that all versions of Sidewalk Talk on on the CD are actually same Dance Mix and not the different mixes as listed on the CD's track listing. I've contacted Gold Legion to point out this error and will post an update.

I guess this mis-pressing is a bit of a collector's item now.

******

“If you’ve listened to Madonna sing Holiday, Borderline or Lucky Star, then you already know what “wotupski” sounds like. It’s a time and place; a cityscape. “Wotupski” is New York City in the 1980s. Disco nights and neon lights. “Wotupski” is the thumping vibration of boombox beats and makeshift dance floors in playgrounds and parking lots. Made of cardboard and clouds, it personifies desire and ambition in songs, in sweat, in sweet dreams and in street cred. “Wotupski” is a firecracker and a shooting star. Never meant to be a memory, it was meant to be a moment lived forever in music.” – David Nick Ybarra, 2011.
Last month Gold Legion reissued a limited edition CD of Jellybean’s debut album Wotupski!?! featuring Sidewalk Talk, written by Madonna. Mastered from the original master tapes, the limited edition CD contains the original five track album, plus four bonus tracks – including the Funhouse Mix and the Dance Mix of Sidewalk Talk. The CD’s 16-page booklet features a 5082 word essay written by David Nick Ybarra. The following extracts from Ybarra’s comprehensive essay on Wotupski!?! focus on Sidewalk Talk:

“Whether Sidewalk Talk was planned for Wotupski!?! or added at the 11^th hour is debatable. The press kit notes for Wotupski!?! make no mention of Sidewalk Talk nor any of the other four cuts from the album except for The Mexican. In fact, when the album was pressed, the customary advertising sticker adhered to the cellophane wrap stated “Features the single The Mexican” conspiciously excluding Sidewalk Talk which would have been an obvious selling point. Nevertheless, its inclusion on Wotupski!?! remains the most critical aspect of public interest in the album’s longevity more than The Mexican or any of the other cuts on the album, regardless of their qualities.

The remix 7” and 12” single releases of Sidewalk Talk came about upon the unofficial buzz that Madonna had not only penned the song but also sang lead on it. The first part of the rumour was entirely true, but the second half continues to be a matter of debate amongst diehard fans. While Madonna’s vocals on Sidewalk Talk are prominent, the secondary lead vocal heard is the verse rap “sung” by Catherine “Catt” Buchanan. A mysterious figure in the Jellybean legacy, her lone credit as lead on so important a recording for Benitez is mildly baffling. Audrey Wheeler, who with Cindy Mizelle and Madonna were the only vocalists on the track, has no memory of her presence in the studio but offered the possibility that Buchanan’s vocals were recorded separately or added later. This poses the possibility that Sidewalk Talk was intended for Madonna’s debut solo album in 1983 but scrapped instead, making it available for Benitez to utilize for his own debut a year later. If so, Benitez may have recycled the rejected cut and replaced Madonna’s vocals on the “rap” verses with a suitable unknown singer who wouldn’t overshadow his own solo debut album lest Wotupski!?! be mistaken as a vehicle for another artist other than Jellybean. No singer was afforded more than one lead on Wotupski!?!
In fact, though Madonna is credited as the songwriter and vocal arranger for the cut, she is credited only as a “backing vocalist” in the credit details while “Catherine Buchanan” is listed as the song’s lead singer. As mysteriously as she disappeared, “Catt” Buchanan would re-emerge a final time some four years later with the self-produced European-released 12” single, Love Is, in 1988 for Arista/BMG Records. The spelling of her first name would be changed (or corrected) to “Catharine”, however a clue to her former ties to Jellybean would be revealed by her choice of co-producer, Michael Hutchinson. Hutchinson had been Benitez’s associate producer on Wotupski!?! Not only is the vocal on Love Is recognizable as the voice on Sidewalk Talk, but the former song is performed in a verse/rap style nearly identical to the latter Madonna-penned track. Even the melody of Love Is sounds like a slower-paced take on the melody for Sidewalk Talk. Craftily cropped images for the cover art of Buchanan’s single, Love Is, depict an attractive blonde woman’s face, hair and makeup styled in a studio look that is also Madonna-esque. It didn’t help. Copy “Catt” Buchanan faded further into obscurity while Sidewalk Talk made music history for Madonna and Jellybean.

(thebeatswithin: Click here to listen to the Club Mix of Love Is)

Label stickers for Sidewalk Talk finally included the selling-point “Written by Madonna” prominently in their advertisement but avoided any mention of her vocals on the remixes. It didn’t matter. Sidewalk Talk went running to the top of the charts anyway. The single would impact the Billboard charts four times in three years as a number one Dance hit in December 1984 and in February 1985, as well as a Hot 100 chart hitter in ’85 and best selling Maxi-single release in 1986.”

www.goldlegion.com

holiday, celebrate – Bashiri Johnson speaks



Bash!

Summer has officially arrived, so let’s celebrate with percussionist, Bashiri Johnson’s memories of playing percussion on Madonna’s summer anthem, Holiday:

“My first time working on Madonna’s music was on Holiday with Jellybean as the producer on that particular session. She really struck me because she was really, really beautiful, really vivacious and she was very into everything that was going on. She was really into what I was doing and into the whole process and she was 100% aware of everything. She wasn’t like some artists, who might just hang out in the lounge, or other artists who just sit back and take everything in, or some other artists who might not even be present almost. She was definitely present at all of the sessions.”

thebeatswithin: Did you record your percussion parts on top of an existing track?

“Yeah, I did. I came in and I overdubbed my stuff to the track that was already laid down. It was a rough mix, but I wouldn’t say that it was completed. I heard her vocals and everything else was there, all of rhythm section stuff was there and I just added my bit. It wasn’t mixed yet and it might not have been fully edited yet, but it was definitely a version I could play to and I remember when I walked out of the studio it stuck with me.”

thebeatswithin: What percussion instruments did you play on the track?

“On that track I just played cowbells – the cowbell part that you can hear that goes all the way through it. I think I might have also played shakers on that track, but that track was mainly just a simple cowbell part. The great thing was that the cowbell part was really like a signature part of the song and it really helped to drive the track. As a matter of fact, a lot of people called me up to come in and play on their records because of that track. They were like, “Oh yeah, you played on that Madonna track. I need you to put some stuff on my record.” So, although it was just cowbells on the album version, I played a lot more on the remix, including congas, shakers, timbales and tambourine.”

thebeatswithin: Did you have any idea that Holiday would become not only Madonna’s breakthrough hit song, but such an enduring pop/dance anthem?

“It’s funny because I’ve played on thousands and thousands of records and there are records that you just know are going to affect people and have mass appeal. I’ve experienced that on many occasions, but the way that the music business is set up, it’s not always based on the highest quality product and sometimes other factors make a song a hit. So, even though I might be in the studio and getting goose pimples from playing on it, the machinery of the music business might not be able to follow through and make a great song a hit. But I did feel something special about that track. I felt that it was going to be a powerful track and that people were really going to be into when I worked on it.

She was talking about something that’s universal – taking a break, having fun and just letting go and releasing your stress, your cares and worries – “Take a holiday!” That’s something that’s sort of put down, but yet that’s something that’s very important to people.”

thebeatswithin: I heard the original Holiday demo by Curtis Hudson and Lisa Stephens, at the Copyright Office at the Library of Congress in Washington.

“Wow! Those guys wrote some great stuff and they came up with some really, really cool ideas and cool hooks that people could really get into. That’s why I think the song was such a great success. It was a really great, well written song.”

Click here for more about Bashiri Johnson